Selasa, 29 Maret 2011

[H557.Ebook] Get Free Ebook Signatures Language Handbook Grade 1: Harcourt School Publishers SignaturesFrom Harcourt Brace and Company

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Signatures Language Handbook Grade 1: Harcourt School Publishers Signatures

  • Sales Rank: #10011503 in Books
  • Published on: 1997-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .14" h x 8.05" w x 7.66" l, .42 pounds
  • Binding: Paperback
  • 80 pages

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Rabu, 23 Maret 2011

[L668.Ebook] Free PDF Ultimate Comics Iron Man: Armor Wars (Ultimate Comics Iron Man (Quality Paper)), by Warren Ellis

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Ultimate Comics Iron Man: Armor Wars (Ultimate Comics Iron Man (Quality Paper)), by Warren Ellis

Exploding from the ruins of ULTIMATUM, Tony Stark races against time to save his crippled corporation and stop the theft of his armored arsenal! Superstar writer WARREN ELLIS (ULTIMATE HUMAN) teams up with rising talent STEVE KURTH (IRON MAN) to bring you a globe-spanning, high-octane thriller with a blast from Tony's past that you've gotta see to believe!

COLLECTING:

Ultimate Comics Armor Wars #1-4

  • Sales Rank: #640016 in Books
  • Brand: Brand: Marvel
  • Published on: 2010-10-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.25" h x .25" w x 6.75" l,
  • Binding: Paperback
  • 112 pages
Features
  • Used Book in Good Condition

About the Author

Warren Ellis is one of the most prolific, read, and admired graphic novelists in the world and the creator of Transmetropolitan and The Authority. He lives in southern England with his partner, Niki, and their daughter, Lilith. He never sleeps.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Flawed, but still the best Ultimate Iron Man series to date
By Justin G.
After a pair of sub-par Ultimate Iron Man series, the armored Avenger is getting another solo shot in Ultimate Iron Man: Armor Wars by Warren Ellis and Steve Kurth. As the title suggests, this storyline revisits the classic Iron Man: Armor Wars concept in which Tony Stark's Iron Man technology is stolen and sold on the black market to various costumed thugs. In this case it is occurring in the post-Ultimatum universe where Tony Stark's company is falling apart and he's still reeling from the events of Ultimatum.

Warren Ellis is one of my absolute favorite writers, and his Iron Man: Extremis story is one of my favorite Iron Man sagas, so obviously I had high hopes for this tale. For the most part, Ellis doesn't disappoint. He understands the character much better than Card ever did, and his Tony Stark is the same Tony Stark we came to love from Mark Millar's The Ultimates Omnibus series. The story is fast-paced and the dialogue is priceless. I love the new Ghost and some of the other armored villains, and Justine Hammer was a great addition. Unfortunately the series took a sharp turn with issue four that seemed a little too ridiculous - especially the ending. It seemed cheap, and was definitely a buzzkill.

Apparently this was Steve Kurth's first superhero gig, but you'd never know it looking at these pages. I'm a bit spoiled by Salvador Larrocca's work on the regular Iron Man series, but Kurth did a great job here, both on the armored battle scenes and the more mundane scenes. It helps that the inking and coloring are also high-quality.

Ultimate Iron Man: Armor Wars isn't perfect, but it is a marked improvement over the previous Ultimate Iron Man series and a good way to reaffirm Iron Man's status as a major player in the Ultimate Marvel Universe. I'd recommend it to Ultimates fans as well as casual Iron Man fans looking for something new.

5 of 5 people found the following review helpful.
Not bad, but maybe too short
By El Fanegas
The Ultimate Armor Wars is funny. You can see Stark's problems after ultimatum, and the fall of his technology in wrong hands.
It's a somewhat condensed and Ultimized version of the original universe Armor War(which i reccomend, it's a very good read).
The problem with this book it's not the story, it's not the action, it's not the art... the problem it's too short. At only four issues, you are able to read this really fast. Perhaps a more extended plot and two more issues could have been done. The story could have been used for that easily.
In the end, not a bad reading, but i rode it really fast. It's agile and entertaining.

1 of 1 people found the following review helpful.
Length
By Travis R. Phelps
I loved this series from start to finish all of the Ultimate Iron Man minis have been good so far but this one is the better of Ellis's to, picks up a little bit after Ultimatum and has Tony trying to get all his tech back. Only complaint is that it should have been longer, needed maybe a issue or two more then this would have been perfect, towards the end it just starts feeling rushed

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Selasa, 22 Maret 2011

[I692.Ebook] Get Free Ebook The Art of Aesthetic Surgery: Principles and Techniques, Three Volume Set, Second EditionFrom CRC Press

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The Art of Aesthetic Surgery: Principles and Techniques, Three Volume Set, Second EditionFrom CRC Press

Seldom does a book achieve status as a classic in its first edition, but The Art of Aesthetic Surgery by Foad Nahai has been hailed as a masterpiece since its inception. Reviews have been universally laudatory, and residents and experienced practitioners alike have embraced this work as the ultimate resource on all things aesthetic.

Now, this landmark work has been totally revised and updated with over 40 new chapters (many with new authors) and every chapter has been revised to reflect the latest trends, techniques, and information. This three-volume set also includes seven DVDs with 24 operative videos.

Comprehensive Coverage
93 chapters in three volumes cover the full range of cosmetic medical treatments and aesthetic operations. Topics include:

  • Hair transplantation and brow lift
  • Eyelid surgery
  • Laser resurfacing and chemical peels
  • Tissue fillers and fat grafting
  • Rhytidectomy and face and neck lift
  • Facial implants
  • Rhinoplasty and ptoplasty
  • Lip rejuvenation
  • Breast augmentation, reduction, and mastoplexy
  • Surgical, noninvasive, and minimally invasive body contouring
  • Liposuction

To address the modern physician’s need for business acumen as well as surgical skill, three chapters focus on practice management, ranging from practice model options, staff and financial management, marketing and communications, and legal issues.

World-Renowned Authors
Dr. Foad Nahai is an acknowledged leader in aesthetic surgery. He has personally written a third of the chapters for this three-volume work. His contributors, representing the "who’s who" of aesthetic surgery, provide detailed accounts of their techniques for the different operations, as well as the planning process so crucial to producing excellent results.

Help with Decision-Making
Of particular note are the clinical decision-making chapters authored by Dr. Nahai. This invaluable insight provides readers with a unique overview of the various options for each problem, along with his preferred solutions. Complete with algorithms and case studies, this problem-solving feature offers the expert guidance necessary to sort through options, understand their advantages and limitations, and make the best choice for each patient.

Necessary Anatomy
Key chapters introducing each major anatomic region or topic area focus on applied anatomy and provide essential information that the surgeon needs to know to execute these surgical maneuvers safely and effectively.

Reliable Format
This new edition maintains the same features that made the previous edition so popular, including beautiful medical illustrations, large type for readability, and a consistent, comprehensive approach. The semi-atlas format features the applicable images located next to legend text for enhanced clarity.

  • Sales Rank: #925410 in Books
  • Published on: 2010-12-31
  • Original language: English
  • Number of items: 3
  • Dimensions: 14.00" h x 10.00" w x 8.00" l, 23.60 pounds
  • Binding: Hardcover
  • 3187 pages

Review

"…more than a multi-authored, three-volume text in full color on the entire field of aesthetic surgery, edited by Foad Nahai. It is also eminently readable, beautifully illustrated, and extraordinarily comprehensive. Most importantly, it is personal. Although multi-authored, much of the book is written by Dr. Nahai himself and represents his personal journey through a career in plastic surgery. His personal experience and narrative tie the chapters together in a way that is unique for books of this type. The three volumes provide the most comprehensive book on the topic of aesthetic surgery ever produced."
―Plastic and Reconstructive Surgery Journal

"… draws on the talents of some of the world’s leading experts to provide the best information possible on a broad range of topics. ... Foad Nahai has to be congratulated for many aspects of this set of books―choosing the authors and getting them to write their chapters, arranging the text, organizing the uniformity and excellence of the illustrations, and finally for contributing so much of his own work and experience. ... will be the gold standard in all ways for many long years to come."
―European Journal of Plastic Surgery

"This three-volume text is going to be a standard reference point for all aesthetic surgeons. It is edited by plastic surgeons whose qualifications are impeccable, and contains contributions from over 70 experienced aesthetic surgeons. ...Produced in full colour with excellent quality of illustrations, it is a joy to browse. This is a book I shall use for years to come, in fact until there is a new edition, I expect. I unreservedly recommend it for all undertaking aesthetic surgery, as a refresher and updater for the older surgeon and a bible for the new recruit. It ably demonstrates that aesthetic surgery has become a discipline and it is one of the foundation texts for practitioners. I strongly recommend it."
―Journal of Plastic, Reconstructive and Aesthetic Surgery

"This multi-authored text is one of the most comprehensive works on aesthetic surgery ever published. ...The overall effect is a physically beautiful and appealing work that feels good to look at and is easy to read. No review can do justice to this magnificent work. One simply has to hold it in the hands to fully appreciate it. I would advise any physician interested in aesthetic surgery to take a long look at this textbook."
―Dermatologic Surgery

Most helpful customer reviews

1 of 1 people found the following review helpful.
The best book to learn Aesthetic Surgery no matter what level ...
By Omar Gonzalez
The best book to learn Aesthetic Surgery no matter what level you are. A must as reference for any aesthetic surgeon.

0 of 0 people found the following review helpful.
This is a great and comprehensive book in the field of aesthetics
By Amazon Customer
This is a great and comprehensive book in the field of aesthetics. The accompanying DVD are great too. It's a must have for anyone interested in aesthetic surgery.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
perfect

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Sabtu, 19 Maret 2011

[F945.Ebook] Ebook The Inquisitor, by Mark Allen Smith

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On September 6, 1995, Geiger was born an almost full-grown man of indeterminate age when a Greyhound driver shook him by the shoulder as he slept in a seat in the last row of a bus that had just pulled into New York's Port Authority Terminal. Surviving by instinct, and an innate ability to detect truth amongst lies, Geiger established himself as an expert in Information Retrieval. Which is to say: torture. Almost devoid of human emotion, he will stop at nothing to get the job done. His methods range from the psychologically complex to straightforward brutality. His clients are referred to him from international corporations, government agencies and organised crime; his skills are in worldwide demand. Geiger only has one rule: he will never work on a child. So when a client presents Geiger with a twelve-year-old boy his instinct is to walk away. But the alternative - the unknown horror that may await the boy elsewhere - is too awful to contemplate. In accepting this assignment in an attempt to save the boy, he will also uncover his own history, no matter how torturous that proves to be...

  • Sales Rank: #4989829 in Books
  • Published on: 2012-09-13
  • Format: International Edition
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x 1.06" w x 5.12" l, 1.10 pounds
  • Binding: Paperback
  • 432 pages

About the Author
Before writing his first novel, Mark Allen Smith spent ten years as a television investigative news producer and documentary producer-director, and over twenty years as a screenwriter. He lives in New York City with his partner and three children.

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Jumat, 18 Maret 2011

[P816.Ebook] Fee Download The Good Heart: A Buddhist Perspective On The Teachings Of Jesus Christ, by Dalai Lama XIV

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The Good Heart: A Buddhist Perspective On The Teachings Of Jesus Christ, by Dalai Lama XIV

  • Sales Rank: #15270928 in Books
  • Published on: 1999
  • Binding: Hardcover
  • 210 pages

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Kamis, 17 Maret 2011

[G740.Ebook] Fee Download Batman: Hush Unwrapped Deluxe, by Jeph Loeb

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Batman: Hush Unwrapped Deluxe, by Jeph Loeb

A new, unprecedented edition of the classic Batman epic from writer Jeph Loeb (BATMAN: THE LONG HALLOWEEN) presents the art of comics superstar Jim Lee in its pencil form for the very first time.

BATMAN: HUSH is a thrilling mystery in which Batman sets out to discover the identity of a mysterious mastermind using The Joker, The Riddler, Ra’s al Ghul and the Dark Knight’s other enemies – and allies – as pawns in a plan to wreak havoc. This new, deluxe edition hardcover is a delight for fans of comic book artwork as it presents Lee’s artwork in crisp, pencil form for the very first time.

  • Sales Rank: #243647 in Books
  • Brand: DC Comics
  • Published on: 2011-07-19
  • Released on: 2011-07-19
  • Format: Deluxe Edition
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.20" h x .80" w x 7.40" l, 2.07 pounds
  • Binding: Hardcover
  • 320 pages

About the Author
Jeph Loeb is a screenwriter/producer whose comic credits include Batman: Legends of the Dark Knight, Superman/Batman, and more. Jim Lee worked on X-Men, Batman and Superman and founded Image Comics and WildStorm. Today, Lee is co-publisher of DC Comics and the artist for many of DC's best-selling comics and graphic novels.

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36 of 36 people found the following review helpful.
Raw spectacle
By Parka
[[VIDEOID:mo1BI7QUY685PCA]]It's a great idea to release a penciled version of graphic novel once in a while.

Batman: Hush Unwrapped Deluxe is basically the same book as Batman: Hush with dialogue and all, except everything is in pencils. The only coloured bits are the sound effects and Batman's internal narration.

Reading the book in just pencils is quite a different experience. It's basically like looking at the final draft of the book before the go ahead for inking. If you're marveled by Jim Lee's art in the coloured edition, you'll be blown away by this edition - if you're a comic artist maybe your brain will explode with awe.

Every page is filled with detailed pencil work, deserving a slow peruse. The amazing pencil hatches and shading are everywhere, on the characters, the backgrounds. After reading the book, you'll probably get a new sense of appreciation for comic artists and the art of making comics. This book is definitely a collectors' edition for fans.

As for the story, the storytelling is good and well paced, there are some surprises as Batman tried to uncover who this Hush villain is. The characters are well defined and believable. The sequences with Catwoman are fantastic - I love how Catwoman and Batman interacts.

However, I've a problem with the ending. Even though the villain was revealed in the end, the motivation for going against Batman isn't, or is too weak for me to notice. Just because you're a bad guy and he's Batman means you've to go against him? So the story is great for me until the ending which I felt could be better.

Also check out Icons: The DC Comics & Wildstorm Art of Jim Lee if you can't get enough of the art.

(There are more pictures of the book on my blog. Just visit my Amazon profile for the link.)

8 of 8 people found the following review helpful.
Excellent Opportunity to view Jim Lee's process-
By Nathaniel P Wieselquist
This is much more than an "Absolute" DC version, as it gives you all of Jim Lee's pencil work pre-Colorist. If you're at all interested in viewing the process at work, this is a must-have. I've often seen a few pages dedicated to this in special edition stuff, but this is the ENTIRE BOOK. Won't replace the original, very nice as an addition.

6 of 7 people found the following review helpful.
Very Cool-Looking Raw Jim Lee's Pencils
By Hengky Tanoyo
Honestly speaking, I don't think I will ever consider Batman: Hush to be a good story arc. I mainly bought the original colored version for Jim Lee's artwork. I mean who wouldn't be excited for a Jim Lee's Batman. Of course, a solid story would've been a great bonus. But not here, the storyline is pretty much an excuse for Jim Lee to draw most of Batman's rogue gallery. Joker, The Riddler, The Scarecrow, Killer Croc, Catwoman, Poison Ivy, even Superman are featured here. And the titular new villain character Hush has really one of the most convoluted backgrounds among Bat-villains (not in a good way). There is really no character study nor deep here. It's just Batman and his sidekicks in one visually stunning situation after another. If you're looking for solid storytelling, look elsewhere.

That being said this Hush: Unwrapped edition is really the kind of book that I'd been waiting for. Being an aspiring penciler and line art afficionado myself, it is just very inspiring to see how painstaking and richly detailed Lee's penciled pages are. I could spend hours and hours just savoring the art. I still love the colored comic books but I do hope there would be more books like this in the future. I hope Marvel can follow suit. I mean, for a teasing, how about a Todd McFarlane's Spider-Man: Torment being published in this format? Or Jim Lee's X-Men works? Fingers crossed on those.

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Selasa, 15 Maret 2011

[B149.Ebook] Free Ebook I Am a Strange Loop, by Douglas R. Hofstadter

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I Am a Strange Loop, by Douglas R. Hofstadter

Can thought arise out of matter? Can self, soul, consciousness, “I” arise out of mere matter? If it cannot, then how can you or I be here?

I Am a Strange Loop argues that the key to understanding selves and consciousness is the “strange loop”—a special kind of abstract feedback loop inhabiting our brains. The most central and complex symbol in your brain is the one called “I.” The “I” is the nexus in our brain, one of many symbols seeming to have free will and to have gained the paradoxical ability to push particles around, rather than the reverse.

How can a mysterious abstraction be real—or is our “I” merely a convenient fiction? Does an “I” exert genuine power over the particles in our brain, or is it helplessly pushed around by the laws of physics?

These are the mysteries tackled in I Am a Strange Loop, Douglas Hofstadter’s first book-length journey into philosophy since G�del, Escher, Bach. Compulsively readable and endlessly thought-provoking, this is a moving and profound inquiry into the nature of mind.

  • Sales Rank: #47282 in Books
  • Brand: Basic Books
  • Published on: 2008-07-08
  • Released on: 2008-07-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x .98" w x 5.90" l, 1.18 pounds
  • Binding: Paperback
  • 436 pages
Features
  • Great product!

Amazon.com Review
Amazon Best Books of the Month, March 2007: Pulitzer-Prize winner Douglas Hofstadter takes on some weighty and wonderful questions in I Am a Strange Loop--among them, the "size" of a soul and the vagaries of thought--and proposes persuasive answers that surprised me both with their simplicity and their sense of optimism: a rare combination to be found in a book that tackles the mysteries of the brain. This long-awaited book is a must-have for avid science readers and navel-gazers. --Anne Bartholomew

From Publishers Weekly
Starred Review. Hofstadter—who won a Pulitzer for his 1979 book, G�del, Escher, Bach—blends a surprising array of disciplines and styles in his continuing rumination on the nature of consciousness. Eschewing the study of biological processes as inadequate to the task, he argues that the phenomenon of self-awareness is best explained by an abstract model based on symbols and self-referential "loops," which, as they accumulate experiences, create high-level consciousness. Theories aside, it's impossible not to experience this book as a tender, remarkably personal and poignant effort to understand the death of his wife from cancer in 1993—and to grasp how consciousness mediates our otherwise ineffable relationships. In the end, Hofstadter's view is deeply philosophical rather than scientific. It's hopeful and romantic as well, as his model allows one consciousness to create and maintain within itself true representations of the essence of another. The book is all Hofstadter—part theory, some of it difficult; part affecting memoir; part inventive thought experiment—presented for the most part with an incorrigible playfulness. And whatever readers' reaction to the underlying arguments for this unique view of consciousness, they will find the model provocative and heroically humane. (Mar.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Though elegantly written, it is not surprising that Douglas Hofstadter's I Am a Strange Loop suffers a bit by comparison to his acclaimed G�del, Escher, Bach: they both cover the same ground, with the more recent book elaborating on the ideas of the first one. However, I Am a Strange Loop is a much more personal effort, an "intellectual autobiography" (Time) of the last 30 years of Hofstadter's life. Critics agreed that Hofstadter is riveting when sharing his grief over the unexpected death of his wife and his conviction that part of her continues to live on in him. Some readers may not agree with his beliefs, and he draws little on findings in neurological science, but they cannot deny that I Am a Strange Loop is a heartfelt exploration of the human mind.

Copyright � 2004 Phillips & Nelson Media, Inc.

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380 of 410 people found the following review helpful.
Another visit to the metaphors of GEB
By Michael J. Edelman
Douglas Hofstadter is an exceptionally bright and witty man, with a gift for analogy. This no doubt makes him entertaining company and a pleasure to have as a teacher, but at the same time it sometimes gets in the way of the message he's trying to convey- the allegories and metaphors become the dominant message, and the core gets lost in translation.

This is of course exactly what happened with Hofstadter's 1979 tour-de-force "Godel, Escher and Bach"; it was roundly praised to the heavens by scores of reviewers, none of whom seemed to notice that it was in fact a very clever way of presenting a theory of conciousness and intelligence. This bothered Hofstadter as well, as he tells us in the introduction to "I Am a Strange Loop", and so he set out to tell the story again, this time in a more straightforward manner. I'm not so sure he succeeded.

The bulk of "I Am a Strange Loop" is devoted to explaining Godel's Incompleteness Theorem, with a minimum of math and a lot of allegory and allusion. Much of it seems repetitious, and all of it is, I think, wasted, as the end product of all this attmepted explanation seems to be simply one more metaphor- that what's going on in the brain/mind is something very much like what's going on in Godel's theory: That a theory, or a formula, or a sentance, or a "thing," can contain within it a complete representation of itself. Hofstadter calls this a "strange loop", and believes that, combined with input from outside that adds to this (and other) loops is the wellspring from which consciousness springs.

I first heard this notion expressed in the following manner (although I don't recall who wrote it): Every living thing has in it some representition of the outside world. A plant has in some sense a representation of the sun, that allows it to bend towards it. A bacterium moving along a gradient of nutrients contains within it a representation of this source of nutrition. A bee has representations of hive, flower, sun, and other concepts that guide it goal-seeking behavcior. And so on, up the evolutionary line. When that representation become complete and complex enough to include itself, that is the birth of consciousness. This is not a particularly original notion, although when Hofstadter wrote GEB back in the 70s it wasn't a particularly widely held idea in psychology. At the same time, it was't a completely alien idea, either.

In the last few chapters Hofstadter toys with some more or less current ideas in the philosophy of mind, like Chalmer's "zombie", and presents us with a few more allegories and clever tales, none of which, I think, end up clarifying this position terribly well. One is left with the feeling that Hofstadter has a very strong intuitive sense of how conciousness evolves from these strange loops of self-representation, and what's he's struggling to do is to let us share his intuitions. I find that I share some of these intuitions with him, particualrly with his notions of where the self is represented, and representations of others alongside the self, and I think there's a germ of some powerful explanation hiding in there, but I can't seem to provide any more illumination than can Hofstadter.

And that in turn reminds me of something I was told at the beginning of my teaching career: If you can't explain something clearly and simply to another person, then you don't fully undertsand it. I think that's where Hofstadter is with respect to consciousness: He has a lot of intutions and parallels he can pull out, but in the end, he doesn't really have a theory of conciousness.

217 of 237 people found the following review helpful.
Vintage and Original Hofstadter
By Rob Hardy
You have certainly enjoyed the sensation of looking into a mirror that itself reflected a mirror, making a tunnel of reflections that went as deep as you could see. The same sort of thing happens when you take a television camera and turn it onto a monitor that is showing what the television camera is taking a picture of. But there is something spooky about such a loop. In fact, when young Doug Hofstadter's family was looking to purchase its first video camera, Hofstadter (showing in youth the sort of interest in self-reference that he would turn into a writing career) wondered what would happen if he showed the camera a monitor that itself showed the camera's own output. He remembers with some shame that he was hesitant to close the loop, as if he were crossing into forbidden territory. So he asked the salesman for permission to do so. "No, no, _no_!" came the reply from the salesman, who obviously shared the same fears, "Don't do _that_ - you'll break the camera." And young Hofstadter, unsure of himself, refrained from the experiment. Afterwards he thought about it on the drive home, and could see no danger to the system, and of course he tried it when they got home. And he tried it again many times; video feedback is one of the themes in Hofstadter's monumental and delightful _G�del, Escher, Bach_ (known by millions as GEB) from 1979, and it comes back for further discussion (with more advanced hardware) in Hofstadter's new _I Am a Strange Loop_ (Basic Books). As in his other books, Hofstadter has written a deeply personal work, even though he is taking on the eternal philosophical bogey of consciousness, and has written once again with a smoothness and a sense of fun that will entrance even casual readers with no particular interest in philosophy or consciousness or mathematics into deep and rewarding thought.

Hofstadter's theme here is consciousness, or "I" or (and he shuns religious connections to the word) the soul. Humans have consciousness. Dogs seem to have some ability to understand what other dogs (and humans) are feeling, some way of representing themselves and others within their own brains. Goldfish, well that's pretty iffy. Mosquitoes have no capacity for self-knowledge. And go further down that scale. How about the neuron itself? Is there any consciousness there? After all, mosquito neurons aren't really much different from human ones, they are just more numerous and tangled in humans. Further down: DNA molecules - conscious or not? Further: carbon atoms - wait a minute, there's not even the possibility that an inanimate atom could have consciousness. Thus the great paradox, looked at repeatedly from different viewpoints here: inanimate matter, properly organized, yields consciousness. We take it all for granted, but it is all profoundly puzzling. Every human brain working at the symbol level (but very much dependent on neural and chemical foundations) "perceives its very own 'I' as a pusher and a mover, never entertaining for a moment the idea that its star player might merely be a useful shorthand standing for a myriad infinitesimal entities and the invisible chemical transactions taking place among them." The "I" is an illusion, an effective one that has great survival value for its possessors. This could be dense stuff, but Hofstadter's analogies are brilliant, as are many of his puns; he reminds us, "Just as we need our eyes in order to _see_, we need our "I"'s in order to _be_!" Hofstadter is fun to read.

Hofstadter's last book, _Le Ton beau de Marot_, was a long meditation on language and translation, and contained many reflections about his wife Carol, who sadly and suddenly died of a brain tumor in 1993 before she was 43. Carol reappears many times in the current work; it is clear that she and Hofstadter had an unusually deep and affectionate marriage, "one individual with two bodies". He is able to write movingly of what he has learned from the loss, how Carol's mind, her "Carolness" or "Carol-consciousness" has been incorporated into his own "I". He isn't Carol, and carries only an imperfect copy of Carol's soul within his own soul, but he shows how her strange loop has been incorporated into his, and just how strong and loving such an incorporation must be. It is a deeply humanistic vision of empathy, the sort of generous personal insight that shows that though souls might be merely the product of atoms and neurons interacting, might be merely illusory, they can still be grand and fully empathetic. Hofstadter has written another book to increase our wonder over the workings of our wonderworking brains.

104 of 114 people found the following review helpful.
Relax, It's Just Physicalist Functionalism
By James Gerofsky
I became interested in philosophy of mind about three years ago, and have since read a variety of books written by philosophers, neuroscientists, psychologists and computer experts. About a year ago I heard about Douglas Hofstadter and his [then] forthcoming book "I Am A Strange Loop". I also discovered his 1979 work Godel, Escher, Bach: An Eternal Golden Braid, where the strange loop concept was expounded in great detail. While GEB did indeed attempt to apply strange loops to the workings of the mind, IAASL promised to focus this idea with laser intensity upon the mysteries of human consciousness. Given what I had already read about the importance of circular processes within the brain, especially regarding the "binding" of multiple sense and memory data into a "unified impression", I looked forward to IAASL with great anticipation. I hoped that it would provide cutting insights that would help dispel the fog surrounding the current consciousness debate. In the end, however, Dr. Hofstadter provided little more than a warmed-over version of an old theory, i.e. PHYSICALIST FUNCTIONALISM; albeit with a quasi-mathematical twist to it, i.e., the Godel / strange-loop approach.

Although Hofstadter is a computer scientist, his first love appears to be mathematics. He gives a great description of what mathematicians do, i.e. finding and analyzing patterns amidst groups of numbers. He gives examples of how this is done, and then shows how these patterns are analyzed and formally documented via axioms and theorems and strings of logical symbols. He then kicks it up a notch by explaining what number theory is, i.e. the foundation for those theorems and logical constructs. Not content with stopping there, he takes you to the next level by explaining how mathematician Kurt Godel performed a brilliant meta-analysis of number theory in 1931 and found that it breaks down when "indexicals" are considered (i.e., self-referential propositions such as "this quote is untrue"). By now, most of us reasonably-intelligent readers are gasping for mental oxygen, as though we're way up in the Andes. But Hofstadter then pushes us up to the peak, i.e. the "strange loop", which is an abstraction and generalization of what Godel did to number theory.

Yikes! How many levels up have we gone? Numbers can be called first-order abstractions of reality. Identified number patterns would be a second-order; documentation of these by theorems would represent a third. Number theory is four levels up, and Godel hits the fifth floor elevator button. So a "strange loop" is a sixth-order abstraction from everyday reality. No wonder it seems somewhat "strange" to mere mortals.

But strangeness doesn't mean that an idea is useless. Hofstadter makes it clear (more so in GEB) that mathematicians have come up with all sorts of abstract ideas, which often sit for years in dusty library books until some physicist comes along looking for a way to describe something rather peculiar about the data he or she has gathered from the lab. All of a sudden, an ignored system or obscure concept is found to be exactly what is needed to solve the problem of, say, electrical superconductence at room temperature. The question here is just how useful the strange loop concept would be in solving problems. It is not a logically formal idea, in the way that a math construct such as the proof of Fermat`s Last Theorem is. The strange loop paradigm is really more of a philosopher's construct, something a bit looser around the edges. Hofstadter tries to do with math what the late, great David Bohm attempted with quantum physics, i.e. to stretch it into a bigger, more holistic thought system that extends to the far corners of the human mind. What Hofstadter and Bohm found once they reached those far corners are quite different however; instead of localized loops, Bohm saw "implicate universal order". (Bohm's 1987 book Science, Order and Creativity is to "implicate order" what GEB is to strange loops).

This is important to keep in mind if you choose to climb the mountain of thought with Hofstadter. Right up through Godel's intellectual craftwork, Hofstadter stays on the pathways of formal logic. But that last jump is different, and Hofstadter does not warn you. It's easy (for those of lesser minds like myself) to be impressed by the strict methods used to get to level number five, and believe that such intellectual acuity carries through right to the top. So keep your eyes open (even though it's difficult at such intellectual heights); Hofstadter is very impressive as a wanna-be mathematician, but may not be as skilled when he shifts to philosophy, where the "strange loop" proposition actually resides.

In GEB, Hofstadter attempts to give real-world examples of strange-loop situations. Not surprisingly, the results are of mixed efficacy. He first refers to the Escher paintings so liberally sprinkled throughout his first book (a few of which show up in IAASL). But he gains little traction - those are just optical illusions. He then refers to what almost happened during the Watergate crisis during Richard Nixon's presidency; i.e. the Supreme Court interpreting the Constitution for the Executive Branch, and the Executive Branch contrarily interpreting the Constitution regarding the Judiciary. In fact, such political situations don't loop around very much; they are resolved rather quickly by riots and bullets (luckily Nixon backed off in 1974). Hofstadter's greatest success with strange loops in GEB came in a wonderful chapter about the workings of DNA in living beings.

Hofstadter also took on the problems of the mind in GEB. However, his efforts in that field were overshadowed by the expansive brilliance of the book. And thus, in IAASL Hofstadter conveys his disappointment about not being taken more seriously by the brain-mind-consciousness crowd. He calls GEB a "shout into a chasm" - although Hofstadter did in fact team up with one of the most formidable "mind philosophers", Daniel Dennett, soon after GEB (e.g., their 1981 book The Mind's I: Fantasies and Reflections on Self & Soul). I read GEB only recently, but it was rather clear to me that Hofstadter's strange-loop concept of the mind was really nothing more than physicalist functionalism, a viewpoint that has been around since the mid-1960s. Not surprisingly, Dennett is quite sympathetic to this approach. For a good introduction to functionalism and its materialist interpretation, I'd recommend David Papineau's Introducing Consciousness.

In applying strange loops to the workings of the brain, Hofstadter establishes that the mind works "recursively". Sense data flows in from the body and drives the neurons; and yet this "bottom level" activity works its way through a hierarchy to the upper levels of the mind, where sensations are felt and decisions are made. Those decisions are then "passed back down" to the neurons and synapses, completing the strange loop from low-level to high-level and back again.

The brain is thus seen as having "mind states" that exist between sensory input and behavioral output. These states are loopy and recursive; their present status is as much a function of what they were like an instant ago, as of what new sense data was just inputted into them. Through devices such as memory, they tend to stabilize human behavior, allowing a longer-term perspective. E.g., if you are chasing a rabbit for food, and the rabbit temporarily disappears behind a tree, you don't stop running just because you no longer see it - you hold a belief that it will soon reappear. Brain states, as an intermediary between stimulus and response, obviously have a function, one that contributes to survival. And thus the case for functionalism. The physicalist part rejects any dualist notions about the ontological independence of "qualia" and inner experience, and equates our mind states and their functional interactions with consciousness itself. In GEB, Hofstadter used the strange loop abstraction to get to functionalism. In IIASL, he concentrates somewhat more on the physicalist agenda.

As such, Hofstadter wears the philosopher's hat more frequently in IIASL, while in GEB he mostly kept the mathematician's cap on. But the new hat doesn't fit as well. First off, he doesn't seem to be aware that he's pouring the old wine of functionalism into the new skin of strange loopiness (to reverse the Biblical metaphor). He seems a bit too sure of himself, too ready to summarily ridicule those who have argued against functionalism, most notably philosopher John Searle. (He may be doing the bidding of his partner Daniel Dennett, who has had rather vitriolic debates with Searle over the years; but unlike Hofstadter, Dennett has spelled out in great detail his position relative to Searle's. Hofstadter, in turn, is mostly yelling insults at the enemy of his friend). He spends many pages setting up and attacking a straw man, i.e. substance dualism, a position that has not been seriously espoused since Sir John Eccles passed away.

Professor Hofstadter doesn't show any appreciation for the subtleties of modern property dualism and its hope that future progress in understanding the nature of "deep reality" may eventually close the "explanatory gap" between physics and consciousness, e.g. the "information substrate to reality" and the hologram paradigms that physicists such as John Wheeler now discuss, and which David Bohm anticipated. Hofstadter admires, yet refuses to adopt the self-doubt that his fellow materialist Derek Parfait expresses after Parfait strictly identifies qualia and self-awareness with brain electrochemistry.

Hofstadter as philosopher shows no knowledge of the "mysterian" position of Colin McGinn and Thomas Nagel; this is especially regrettable given Hofstadter's words in GEB about the human brain ultimately being a Turing algorithmic system subject, one that at some point faces a determinability limit similar to what Godel found in number theory. Is it possible that our questions regarding our own consciousness are the ultimate indexicals? Hofstadter also seeks to kill some "sacred cows" of philosophy that are antithetical to the functionalist viewpoint, such as the "inverted spectrum" thought experiment. (Hofstadter swears in the book to be a vegetarian pacifist, but I suppose that philosophic sacred cows are still fair game.) Interestingly, though, he does not attempt to "kill" the thought-experiment denizen who should trouble him the most: i.e., Frank Jackson's "Mary", the formerly color-blind neuroscientist (also explained well by Papineau, cited above).

Even when explaining his own paradigms, Hofstadter can be a bit confusing. He spends a lot of time telling us that human consciousness is like a television with a camera pointed at it (he even provides pictures of what the frame-within-frame results looks like). The implied infinite series of frames-within-frames is claimed to be much like the strange loops that power our consciousness. But if so, then how far is this paradigm from the much reviled "Cartesian theater" idea of the homunculus (tiny little person) within the brain watching a screen tied to our sense organs, with a homunculus within him/her watching a screen, with a homunculus . . . . in the end, just another infinity of screens. Nonetheless, after a lot of words about TV cameras pointed at monitors, Hofstadter then tells us that it's not the infinity of screen frames that is important; infinity would have sunk Godel had he not gotten around the problem with a finite reference to infinity. The given example of a finite reference to the infinite is the girl on the Morton Salt container, holding an identical salt container under her arm so that her image, and an infinite regress, is blocked but still implied. OK, fine, but I didn't see how the TV/screen system was squared with the salt container. Are they both kinda-sorta like indexical consciousness, but in differing ways?

And then there's Hofstadter's illusion of the marble in the box of envelopes - proving that our everyday notions regarding self-consciousness are just illusions, anyway. But illusions to who? Don't ask, just be satisfied that the illusion is had by an illusion which is perceived by another illusion . . . . ad infinitum / ad absurdum.

IAASL is an intensely personal book - it could almost be sub-titled 'Please Understand Me', with apologies to David Keirsey and his work on Myers-Briggs and human temperaments (Hofstadter is clearly an INTP "architect" - an architect of numbers, ideas and systems). You learn a lot about the life and times of Douglas Hofstadter while climbing the intellectual heights with him. He makes a lot of entertaining little jokes and quips along the way, but becomes very serious as he discusses Carol, his beloved late wife. His word are truly moving until he tries to convince you that Carol lives on in his mind, almost as much as Douglas Hofstadter does. She is still conscious within him - certainly not to the same degree that he is, but according to his hyper-functional concept of "consciousness", just as qualitatively conscious. He goes through a rather convoluted thought experiment (regarding "Twinwirld") to justify the notion that one consciousness can be shared among more than one brain.

To truly grasp what is going on here, you need to be familiar with a certain tenant of physicalist functionalism: i.e., that consciousness is "platform independent". Platform independence has been used to support the notion that living protoplasm is not a sine qua non for consciousness, and that there is no reason why artificial intelligence researchers (such as Hofstadter) will not eventually reproduce consciousness "in silico". Hofstadter has put a rather innovative twist on the platform independence theory here: why not a person-to-person transfer of conscious awareness? One could think of all sorts of skeptical questions in response, but I would like to ask something more personal: is this really healthy? At some point, don't we need to learn to let go after we lose something or someone we love? (Or am I taking Hofstadter too seriously, since he feels that all human consciousness is just a "marble in an envelope box" anyway?)

Given all the psychological sharing in IAASL, one can see how much even a brilliant person's views are shaped by their own personal history and circumstances. It's not surprising that the wrapping of physicalist functionalism with a strange loop bow comes from a fellow of prodigious intellectual talents who, as a young boy, bought math treatises and who got goose bumps thinking about self-referential propositions, and whose teenage music thrills came from Albert Schweitzer doing Bach's greatest hits. (I wonder if Hofstadter considered calling this book "Godel, Schweitzer and Bach"?) Professor Hofstadter didn't know that Southside Johnny and the Asbury Jukes also recorded a song using the refrain "it ain't the meat, it's the motion", which Hofstadter uses to mockingly attack Searle's consideration of the idea that living protoplasm might be essential to consciousness. Hofstadter is being unfair here, as Searle is in fact quite cautious in discussing this. As to Southside and Mr. Popeye, well, they will probably get over the slight eventually . . . .

I'd give this book two stars from the perspective of the general reader who might want an overview on the current debate regarding how our brains, minds and consciousness relate. If you are already familiar with philosophy of mind, then perhaps Hofstadter earns a third star - he will at least give YOUR mind a work-out. And if you enjoyed GEB and more-or-less understood it, then IAASL could be a four or even five-star read for you. So I've averaged it out to three stars overall. As with Hofstadter's sense of humor, which is liberally sprinkled throughout the book (aside from the Carol chapters), some will enjoy and benefit from Hofstadter's approach, but many won't.

A final note about Douglas Hofstadter's admittedly touching tribute to his late wife. Despite his heartfelt attempts to weave his theories into something of beauty in her honor, recursive mathematical constructs still pale in comparison with Tennyson's "In Memoriam":

I trust I have not wasted breath:
I think we are not wholly brain,
Magnetic mockeries; not in vain,
Like Paul with beasts, I fought with Death;

Not only cunning casts in clay;
Let Science prove we are, and then
What matter Science unto men,
At least to me? I would not stay.

As Dr. Parfait realized, dualism will not be easily vanquished. Like Professor Hofstadter, I too am a vegetarian romanticist computer geek, albeit a considerably less brilliant one. But as to being a strange loop . . . no way.

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Sabtu, 05 Maret 2011

[G377.Ebook] Fee Download Runaways, by Elizabeth Swados

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Runaways, by Elizabeth Swados

  • Sales Rank: #9890391 in Books
  • Published on: 1978
  • Binding: Paperback
  • 72 pages

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0 of 0 people found the following review helpful.
well worth the money and time for monologue choices. Real life tragedy
By heidi schlossberg
This is a profound and sad screenplay about kids who are homeless or abused. This is a great play for monologues for teens.. its a tough read.

0 of 0 people found the following review helpful.
Runaways, the script
By Margaret Kacsmar
I was pleasantly surprised to find that this even existed! It was exactly as described, and arrived even sooner than expected.

0 of 0 people found the following review helpful.
Five Stars
By Jordan S Beswick
Brilliant.

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Jumat, 04 Maret 2011

[L206.Ebook] Free PDF The Unheeded Cry: Animal Consciousness, Animal Pain and Science (Studies in Bioethics), by Bernard E. Rollin

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The Unheeded Cry: Animal Consciousness, Animal Pain and Science (Studies in Bioethics), by Bernard E. Rollin

Common sense has never doubted that animals can think, feel and suffer. For most of the 20th century, however, science has denied that we can know what animals are experiencing. Why has science taken this position? Can it be justified? What effect has it had on the treatment of animals? Bernard Rollin explains why and how scientists have been so cavalier about animal use, animal pain, and the moral questions they raise. He explores the damage caused by this position, both morally and scientifically; for it is not only the animals used in research which have suffered, but science itself, given that failure to take animal feelings into account has been shown to distort experimental results. In this book, the author traces the development of changing attitudes towards animals and shows how growing social concern about the way in which we treat them is forcing science to turn back to the common-sense view. The author's previous book "Animal Rights and Human Morality" won the Outstanding Book of the Year Award of the American Association of University Libraries.

  • Sales Rank: #6099873 in Books
  • Published on: 1990-04-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.69" h x .86" w x 5.13" l,
  • Binding: Paperback
  • 336 pages

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9 of 9 people found the following review helpful.
Common sense welfare beats scientific justification
By A Customer
FIVE, or even six, stars for the argumentation, but I have given four stars only because it will take a fair amount of scientific knowledge and stamina to read. Rollin is well known in the animal welfare field. His argument, developed in repeated minute detail, is that scientists who experiment on animals are so closed off from reality, and have such a vested interest in deluding themselves that animals don't suffer, that they are the only people who can't see the blindingly obvious - that animals feel pain pretty much the same way that we do.
For scientists, and especially anyone dealing with animals in any way, I would consider this book mandatory reading. It counterbalances all the dry science about how animals work with a a good look at how they think.
For non-graduates it's too technical. Words like paradigmatic and ontological come thick and fast.

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